‘Zinder’ Review: A Plain, Punchy Postcard From the Meanest Streets of Niger

In “Zinder,” Nigerien director Aicha Macky announces up front her relationship to the desert city that lends her film its name. “I am a daughter of Zinder,” states an introductory title card, capping a more detached scroll of facts about the city’s historical legacy of crime, poverty and social division. This is the last time […]

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